Ryuk (Death Note)
| Ryuk | |
|---|---|
| Death Note character | |
Ryuk, drawn by Takeshi Obata
| |
| First appearance | Chapter 1: "Boredom" (退屈Taikutsu?) |
| Created by | Tsugumi Ohba Takeshi Obata |
| Voiced by | Nakamura Shidō (Japanese) Brian Drummond (English) |
Ryuk (Japanese: リューク Hepburn: Ryūku?) is a fictional character in the manga series Death Note, created by Tsugumi Ohba andTakeshi Obata. He is a bored Shinigami that drops a Death Note, a notebook that allows you to kill anyone simply by knowing their name and face, into the human world in order to have fun. It is picked up by Light Yagami, a young genius who uses it in an attempt to create and rule a world "cleansed of evil" as "God".
Contents
[hide]Creation and conception[edit]
Ohba said that he always mentioned apples in the thumbnails because he wished to use "the dying message that Shinigami only eat apples" and therefore he needed Ryuk to hold apples and that "There's no other reason." Ohba also said that he specifically chose apples as the red "goes well" with Ryuk's black body and that the apples "fit well" with Ryuk's "big" mouth.[1] When Obata informed Ohba that apples held religious and psychological significance and that a person could "read a lot" into the inclusion of apples and that he assumed that was the reason why Ohba included the apples, Ohba said that he did not "think about that at all" and that he believes that "apples are cool... that's it. [laughs]" Ohba added that he felt including aspects that could become later plot points was beneficial, and the apples were used as a point when Light asked Ryuk to search for the cameras in exchange for apples.[2]
Obata said that he encountered difficulty in creating Ryuk. He said that his original idea of Ryuk consisted of Ryuk looking like a "young man similar to Light" with black hair and wings. Obata said that he had the idea of Shinigami looking like "attractive rock stars." Obata felt that if Ryuk appeared more attractive than Light, he would "appear to be the main character" and "things wouldn't work as well." Obata said that he decided to erase the previous design and use the final design when his editor told that Ryuk did not have to appear human. Obata said that he liked the "monster"-like appearance and added that, with his face, "you can never really tell what he is thinking." Obata said that he encountered difficulty while drawing Ryuk in the pilot chapter since he did not "have a good handle" on the "bone structure of his face." Obata said that during serialization he became "so used" to the underlying structure that he could visualize it. Obata describes Ryuk's face as appearing different between the pilot chapter and the actual Death Noteseries. In 13: How to Read Obata thought of an idea involving Ryuk's face being a mask, and under the mask would be an "attractive" face.[3]
When designing Ryuk's Death Note Obata thought about the appearance of Ryuk's handwriting. Ryuk wrote the words "Death Note" on the cover of his own notebook, and when he took possession of Sidoh's book he wrote the same words on the front cover.
Shūsuke Kaneko, director of the films, said that he chose to create Ryuk with computer graphics as it would make the aspect of Ryuk only appearing to people who have touched the Death Note "believable" and that the audience could "tell instinctually" that Ryuk is a Shinigami with "no real presence." Kaneko added that if a human actor represented Ryuk, the appearance would have been "too realistic," the actor may have impacted Ryuk's "presence," and the audience may have "doubted he was a death god, if only for a second." Kaneko ordered the graphics team to design the graphics as if it were an actor "inside a rubber suit."[4]
Filming process[edit]
Digital Frontier, a computer graphics company, animated Ryuk. Kaneko said that because Ryuk's physical structure is "different from a human’s," he thought of an idea of visualizing a person in a Ryuk costume. He also wanted the audience to think of Ryuk as a person in a Ryuk costume talking to Tatsuya Fujiwara, the actor who played Light. He said that he was "asking for too much" and that he wanted audiences to see the film Ryuk as more than "a product of the latest CG technology." Fujiwara said that due to the constant filming with Ryuk he rarely interacted other actors during filming of the first film; The Star of Malaysia describes Fujiwara's emotions as "mock frustration." Fujiwara described the CG Ryuk as "so selfish" and "far more difficult to work with" than a human actor.[5]
Appearances[edit]
In the pilot chapter[edit]
In the pilot chapter of Death Note, Ryuk is the master of two Death Notes which he drops into the human world; Taro Kagami picks up the first one, and Ryuk talks to Taro. The other is picked up by Taro's classmate, Miura. The police burn Miura's book, not knowing of the existence of the first book. At the end of the chapter, Ryuk follows an older Taro.[6] Death Note 13: How to Read describes the Ryuk of the pilot chapter as "really lazy" and "incompetent".[7]
In Death Note[edit]
In the series, he is a Shinigami bored with the activities (or lack thereof) of the Shinigami realm, so he decides to obtain a second Death Note and drop it in the human world for someone to find, hoping to relieve his boredom. He succeeds in tricking the Shinigami King out of a second Death Note. He deliberately writes the instructions inside the front cover (in English, which he assumed to be the most popular language in the human realm) so people would understand its purpose.
The Death Note is discovered by Light Yagami, and Ryuk follows him around for much of the series to see how Light uses it. Ryuk has a fairly humanoid appearance. His skin is blueish gray, or a purplish color, his limbs are abnormally long, and he has bulging yellow eyes with black irises (red in the anime); in the films, he is represented by CGI. He is voiced by Shidō Nakamura in the Japanese version of the anime and live-action adaptations, while Brian Drummond voices him in the English dubbed version of the anime.
Ryuk is characterized by his constant amusement by, and apathy in regards to, Light's problems as well as his interest in humans. He enjoys seeing Light overcome the various challenges put to him, and often waits until the worst possible moment to inform him of a certain aspect of the Death Note just to get a laugh. He is occasionally helpful if it serves his own interests, such as obtaining apples or furthering his own amusement, but for the most part will jokingly ask Light what his next move will be or have Light explain to him the point of a certain action. He tells Light in the first volume he doesn't always look at what Light writes because he finds it more amusing. Light describes Ryuk as a "crazy-looking, supernatural creature with these wicked eyes" who becomes ("surprisingly") a "moral compass" for Light in the film version of Death Note.[8]
Ryuk has a great fondness for apples, comparing their effect on Shinigami to that of cigarettes and alcohol. He claims to go through a type of withdrawal if he goes for too long without them. His withdrawal symptoms involve twisting himself up like a pretzel and doing handstands. He also states that he is shy around girls; when Misa hugs him he becomes intangible. In addition to apples, Ryuk is fond of video games, first shown in the omake eight-panel comic series, where he asks for a Silver Game Boy Advance SP, originally published in Weekly Shonen Jump Volume 4-5 (double issue) in 2005. On another occasion, Ryuk asks Light if he wants to play Mario Golf (changed to "video games" in the anime), but receives no answer since Light's bedroom is bugged with cameras.[9]
As Ryuk explains when he first meets Light, he is bound to take Light's life when his time comes. In the manga, Ryuk does this after Light is shot several times by Matsuda. He desperately begs Ryuk to write the names of the investigation team and the SPK members in the Death Note, which he first implies he will do, but Ryuk, reminding Light that he is not on anyone's side, just writes Light's name instead. He was expecting Light might have thought of some way out of his situation, but seeing as he was desperate enough to go to Ryuk for help, he decided it was all over for him. Ryuk returns to the Shinigami realm.[10]
In the anime, Light does not ask for Ryuk's help and manages to escape the warehouse thanks to Mikami's suicide distracting everyone else. However, his wounds are too severe for him to escape very far, and Ryuk, who is watching him from atop a pole, decides that following Light around during a prison sentence is not worth his time and thus writes Light's name in his Death Note, remarking that he had a lot of fun with him regardless. Light dies peacefully, with an apparition of L standing over him - mirroring Light standing over L on his death.
The second film ends in much the same manner as the manga, except Ryuk's silence leads Light to believe that he is willing to help. When Light learns differently, Light yells at Ryuk and jumps through him, trying in vain to stop his death before dying in his father's arms; before this, Ryuk takes this opportunity to reveal to Light that humans who have used the Death Note are unable to enter either Heaven or Hell regardless of their actions in life. In the spin-off L: Change the World, Ryuk offers L the Death Note. When L refuses and proceeds to burn it, Ryuk complains that L is boring and disappears, returning to the Shinigami realm.
Tsugumi Ohba, story writer of Death Note, said that Ryuk is his favorite Shinigami and that "If I didn't say Ryuk here, his whole character would be in vain. [laughs][11]
In the yonkoma
Death Note 13: How to Read describes L in the Death Note yonkoma as, of the characters, one who "may" be the character most resembling the equivalent character in theDeath Note series.[12] Pepirium described Drummond's voice as "excellent" and that this makes it "hilarious" to watch "Ryuk and his never-ending grin giggle at the events he put into motion."[13]
Kitty Sensei of OtakuZone had her opinions of the film portrayal of Ryuk published in The Star, a Malaysian newspaper. In it Kitty Sensei said that Ryuk "looks a little artificial in the beginning." She says that she became used to the portrayal and loved "Ryuk’s gleeful chuckles and fish-faced grins."[14]
The sfist describes Ryuk as the sole "(potential) cheeseball factor" of the first film and that he may be "difficult to get used to"; the article stated that Ryuk "adds" to the film if the viewers "let go enough to accept Ryuk's presence."[8]
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